![]() ![]() Support for Magic Mask in the Fusion page. ![]() Support for subtitle track presets and per-track formatting rules.Subtitle caption properties can now be overridden individually.Improved speed editor functionality in the edit page.Improvements to ATEM Mini ISO project import to keep audio attached to video clips.Support for Resolve FX Dust Buster in the edit timeline.Fairlight grid support for editing to timecode or musical tempo.Vector keyframing for Fairlight automation curve editing.New Dialogue Leveler for natural smooth audio.New DaVinci Neural Engine enabled voice isolation in Studio.Support for individual timeline locks enhancing multi-user collaboration.Select custom thumbnails and channels for YouTube uploads.Vertical resolution options in project settings for social media.Here’s the complete list of DaVinci Resolve 18.1’s key features, although this doesn’t cover all of the updates. I’m curious to see how it compares to doing it the old-fashioned way, but even if I still end up doing it with compression and EQ filters most of the time, it’s nice to have the option of an automated solution for quick videos for social media. There are also new Neural Engine voice isolation and dialogue levelling features, letting you skip the manual compression and EQ you might normally go for. Now, it looks like I might finally be able to use Resolve for everything!īut it’s not the only big change to come in DaVinci Resolve 18.1. It’s not something I need to do all the time, but sometimes it’s nice to pop a Story up on YouTube or something to accompany a video and while I’ve been 100% DaVinci Resolve for the last three years for my regular main video content, I still have to sneak into Premiere Pro for vertical videos for social media. Vertical video has always been a bit of a bugbear for me with DaVinci Resolve. ![]()
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